Playmate Theatre Malmö is a professional English-language theatre company in Malmö, southern Sweden, bringing small-cast, intimate, contemporary plays of relevance to Swedish and international audiences. We collaborate with invited guest directors and at times, on joint or guest productions with other theatre companies in the region. In Malmö we usually perform at blackbox theatre Bastionen and when possible tour to Copenhagen and Hamburg. We aim to perform one to two strong choices of play a year, a mixture of straight dramas and dramatic comedies, by playwrights we feel are exciting and whose writing works successfully and internationally. Playmate performs in English and auditions for actors as needed.
Come to us for a touch of off-Broadway theatre magic in Scandinavia!
THEATRE IN ENGLISH
"...Playmate har hittat en nisch i regionens teaterliv som behöver fyllas. Med tre uppsättningar på ett år har Playmate Theatre fått upp farten och hittat publiken. Det ska bli spännande att se vilken riktning ensemblen tar i framtiden."
Sydsvenskan, 2018
We have a series of exciting staged readings and playreadings coming up this year.
SAVE THE DATE
28th September for a brand new world premiere
a staged reading in English
at black box theatre Bastionen
Norra Vallgatan 28 Malmö
staged reading
This is an opportunity to see actors with scripts in hand in a rehearsed staged reading in the skillful hands of an experienced director.
And our next staged reading
SAVE THE DATE! is on
Saturday 28th September 2024
19:00 - 20:30 hrs
PANEL DEBATE afterwards at 21:00 hrs
A brand new piece of ground-breaking theatre at and with the support of black box theatre Bastionen
Norra Vallg 28
Malmö
A world premiere
a love story,
a ghost story, a joy to watch ...
SURVIVORS
by Billy O'Shea
30 years after the sinking of the Estonia, one man sits alone by the radar...
Directed by Henrik Norman
ON STAGE: Vanessa Poole, Alun Thomas & introducing Roger Leblanc Jr.
*Soundtrack & music specially composed by soundscape artist & musician (Gabriel) Basic Baby
(image/photo credit @ Blackswan.dk)
The Two Character Play
by Tennessee Williams
Directed by Lars Junggreen
A meta psychological thriller.
5 performances
Wed 13 – Sunday 17 November 2024
At Bastionen, Malmö
[Booking opens soon]
A NORDIC PREMIERE
Playmate Theatre Malmö presents the English-language Nordic premiere of this incredible, rarely performed Tennessee Williams play.
Along with Eugene O’Neill and Arthur Miller, Tennessee Williams is the foremost playwright of 20th-century American drama, famous of course for his iconic cult melodramas on screen and off - The Glass Menagerie, A Streetcar Named Desire, Cat on a Hot Tin Roof and more…
THE TWO CHARACTER PLAY is the one Tennessee Williams stage play you have not seen.
"I think it is my most beautiful play since Streetcar, the very heart of my life"…
/ Tennessee Williams
/"...The Two Character Play is at its heart desperate, a portrait of madness and despair, a reminder that we’re all of us trapped on our own little stages, struggling with life’s tape decks and lighting rigs and missing staircases in an attempt to hold it all together."/ (London, 2021)
On stage – an exciting, tour de force performance by strong character actors Andreas Lyon (US/Cph) and Vanessa Poole (UK/Malmö), accompanied by a choreographic movement ensemble of four.
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THE PLOT
The play begins with a brother and sister backstage. The curtain about to open on their latest play. They are actors, Felice and Clare.
Reality and fantasy are interwoven with terrifying power as the two face a (perhaps imaginary) audience expecting a performance of The Two-Character Play. It is an illusion within an illusion, created from isolation, panic, and fear. Two fragile, tempestuous siblings flinging words, embraces and insults, try desperately to limp through to the end of their day.
So what is this “TWO CHARACTER PLAY” Felice and Clare are eternally committed to performing? Why does the play never have an ending neither Felice can write nor Clare can act? Where has everybody gone? Their theatre company and crew have vanished.
The “actors” we observe in the “play within a play” dip in and out of performance, improvising parts not memorised or not yet written. It becomes increasingly difficult to differentiate the actors from the characters and reality from illusion.
It seems they are playing characters – also named 'Felice' and his sister 'Clare'! Traumatised by the violent loss of their parents when they were children, they are still living in their family home. But isolated from the outside world. In the dark. Or is their home the theatre itself?
Why can’t they get beyond the front door? What are they afraid of?
No matter how hard they delude themselves, Felice and Clare cannot escape from the reality of their deteriorating state. They are in a performance we are watching slowly implode. As brother and sister, they are interminably entwined. This is a twisted love that spins equally quickly from tyranny and claustrophobia, to laughter, banter and tenderness. What Tennessee Williams called the very "confining nature of human existence", portrayed in this, possibly his most tender and personal play of all.
Thus the audience themselves are confronted with the darker truths of what it is to be human. Don’t miss this joyous, exciting, dramatic performance combining text and body.
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* THE TWO CHARACTER PLAY in Malmö is a professional performance jointly presented by Playmate Theatre Malmö, in collaboration with HIT International Theatre Arts
THE TWO CHARACTER PLAY by Tennessee Williams is presented by special arrangement with The University of the South, Sewanee, Tennessee.
ABOUT THE PLAY & THE PLAYWRIGHT
Surprising both critics and audiences when it opened in 1967, THE TWO CHARACTER PLAY by Tennessee Williams is experimental, hyper-modern, a very meta production, aware of its own theatricality. It is partially autobiographical and took Tennessee Williams over 10 years to write. One of his final works, it was written after the death of his life's second great love, in the midst of his real-life depression, alcoholism and drug abuse.
At the time Williams wanted to experiment and expand his writing style, exploring the surrealist writing styles of Samuel Beckett and Harold Pinter.
The actress Clare and especially the character Clare in the ‘play within the play’ are loosely based on Williams’ real-life relationship with his sister, Rose, a schizophrenic who was lobotomised and spent her life in an institution. This play is perhaps an echo of the life Tennessee Williams and his sister were never allowed to share.
The actor Felice and the character Felice seem to be based on Williams himself, who had been a sickly child with an alcoholic father, an eccentric mother.
*THE TWO CHARACTER PLAY first premiered in 1967 in the US, remained relatively undiscovered for years in Europe, returned to the stage triumphantly in London in 2021. It is now, finally, more relevant than ever to the universal human condition in 2024, in a world facing crumbling borders, warped realities and absurdist socio-political scenarios – more than ever before.
Have you ever seen it performed in Scandinavia professionally? Now is your chance.
ON STAGE:
Andreas Lyon as Felice https://www.andreaslyon.com
Vanessa Poole as Clare https://www.vanessapoole.com
Ensemble: Stefan Ridell,
Nathalie Drakemyr,
Evdokia Kelessidi,
Eva Söderquist.
CREW
Directed by: Lars Junggreen
Director of Movement: Mariana Araoz
Director's Assistant: Alexandra Christensen
Dramaturg: Nicoline Thyrstedt Gandrup
Scenography advisor: Marta Cicionesi
Crew: E. Söderquist
Stage manager: R. LeBlanc
Light & sound design: Andrew Christiansen
Music composed by: BASIC BABY
Soundscape & sfx: Olle Nielsen @Rikoschett
Props: R. Gott
Logistics & support: Kevin Benn
Graphics: Anna Brenda
Photography: Smallfield Photo
PR : Opus Anglia
(Photo image @Smallfield Photo: Tomas Lissåker)
Playmate Theatre Malmö was set up in 2017 by three British actors, living and working in Malmö, hoping to fill a niche in the local theatre scene in Skåne.
With critically renowned, contemporary English-language scripts - by playwrights such as Alan Bennett, David Ives and Peter Shaffer - Playmate aims to produce theatre that has wit, repartee, passion and relevance.
Like all actors we have an enormous love of words, but there is no denying the value of entertainment to an audience and the power of a good story. Some plays just sound better in their native language. Other well-loved English-language plays are perhaps unfamiliar to a Scandinavian audience.
This is your chance to see them.
Bringing the best of English language theatre to Scandinavia
